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Photon Fuzz:

Unless otherwise stated, all sound clips provided by FEA Labs for the Photon Fuzz product are recorded using only the Photon Fuzz pedal into an amplifier, and then into a Fostex MR8-HD multi-track recording system using a standard microphone.  These samples are raw with no post production work, with the exception of trimming the silence, amplitude normalization, fade in/out, and conversion to MP3 format.

Guitar Sound Clips:

LINKS FUZZ EQ OTHER
Drive Bite Level Low Mid High Dry Octave
PHF-Guitar-01 5 10 5 7 5 9 0 Off
PHF-Guitar-02 3 10 0 3 8 6 Off
PHF-Guitar-03 6 10 5 0 10 0 5
PHF-Guitar-04 0 10 2 5 10 0 0 10
 

Bass Sound Clips:

LINKS FUZZ EQ OTHER
Drive Bite Level Low Mid High Dry Octave
PHF-Bass-01 10 10 4 5 5 10 8 5
PHF-Bass-02 2 5 3 10 10 2 0 Off
PHF-Bass-03 10 10 3 10 9 10 0 5
PHF-Bass-04 5 5 2 10 0 10 5 Off
 

More coming soon...

Dual Band Distortion:

Unless otherwise stated, all sound clips provided by FEA Labs for the Dual Band Distortion product are recorded using only the Dual Band Distortion pedal into an amplifier, and then into a Fostex MR8-HD multi-track recording system using a standard microphone.  These samples are raw with no post production work, with the exception of trimming the silence, amplitude normalization, fade in/out, and conversion to MP3 format.

Guitar Sound Clips:

LINKS LO BAND HI BAND OTHER
Drive Octave Tone Level Dry Drive Mids Highs Level Freq. Bypass
DBD-Guitar-01 10 10 10 6 0 10 2 10 7 7 Off
DBD-Guitar-02 10 0 5 5 0 10 2 7 7 5 Off
DBD-Guitar-03 10 5 10  6 0 5 10 10 8 10 Off
DBD-Guitar-04 B B B B 0 3 5 8 5 5 LO
DBD-Guitar-05 10 3 10 4 0 B B B B 7 HI
DBD-Guitar-06 5 0 0 4 0 10 0 8 10 5 Off
B = Bypassed

Bass Sound Clips:

LINKS LO BAND HI BAND OTHER
Drive Octave Tone Level Dry Drive Mids Highs Level Freq. Bypass
DBD-Bass-01 5 5 0 6 10 8 7 10 6 6 Off
DBD-Bass-02 B B B B 10 7 7 10 4 6 LO
DBD-Bass-03 10 4 0 4 3 3 6 10 6 4 Off
DBD-Bass-04 5 0 0 6 5 8 0 8 6 3 Off
DBD-Bass-05 4 0 4 6 7 4 5 5 6 2 Off
DBD-Bass-06 10  2 0 4 0 B B B B 2 HI
B = Bypassed

Growler:

Unless otherwise stated, all sound clips provided by FEA Labs for the Growler product are recorded direct from the Growler pedal into a Fostex MR8-HD multi-track recording system.  These samples are raw with no post production work, with the exception of trimming the silence, amplitude normalization, fade out, and conversion to MP3 format.

Sound Clip Description

FEA Labs Growler Sample 1:  Clip #1 is the output of the effected signal from the Growler pedal with channel 1  active, wet level at maximum, dry level at about the 3:00 position, asymm switch off, and +6db switch off. 
Clip #2 is the direct out from the Growler pedal (full dry), for reference.
Clip #3 is a stereo mix with Clip #1 in the left channel and Clip #2 in the right channel.

FEA Labs Growler Sample 2:  Clip #1 is the output of the effected signal from the Growler pedal with channel 1 active, wet level set to the 3:00 position, dry level set at about the 4:00 position, asymm switch on, and +6db switch on. 
Clip #2 is the direct out from the Growler pedal (full dry), for reference.
Clip #3 is a stereo mix with Clip #1 in the left channel and Clip #2 in the right channel.

FEA Labs Growler Sample 3:  Clip #1 is the output of the effected signal from the Growler pedal with channel 2 active, wet level at maximum, dry level set at about the 3:00 position, asymm switch off, +6db switch off, gen filter set to 1KHz, and brightness set to the 1:00 position. 
Clip #2 is the direct out from the Growler pedal (full dry), for reference. 
Clip #3 is a stereo mix with Clip #1 in the left channel and Clip #2 in the right channel.

FEA Labs Growler Sample 4:  Clip #1 is the output of the effected signal from the Growler pedal with channel 2 active, wet level set at maximum, dry level set at about the 2:00 position, asymm switch off, +6db switch on, gen filter set to 1KHz, and brightness set to the 12:00 position.
Clip #2 is the direct out from the Growler pedal (full dry), for reference.
Clip #3 is a stereo mix with Clip #1 in the left channel and Clip #2 in the right channel.

FEA Labs Growler Sample (wet signal only):  Clip #1 is the output of channel 1 with the wet level set to maximum, dry level set to minimum (off), asymm switch off, and +6db switch off.
Clip #2 is the output of channel 1 with wet level set to the 3:00 position, dry level set to minimum (off), asym switch on, and +6db switch on.

NOTE: The clips in this sample are the wet signal only to demonstrate the generated harmonic tone.  These are not recommended settings for normal use and are generally not musically pleasing.

 

Dual Band Optical Compressor / Limiter:

Featured artist Jayme Lewis has produced a video in which he reviews and demonstrates the Dual Band Optical Compressor / Limiter.  Please take some time to watch the video below and also check out other videos produced by Jayme on YouTube or on his website.

Manuals:

Each product manual is provided in a printable version and an e-Manual for viewing on the computer.  All downloadable manuals are in Adobe PDF format and require a compatible reader to view or print.

Printable e-Manual
Opti-FET Compressor (v2) Rev. 3.0 (286KB) Rev. 3.0 (241KB)
Photon Fuzz Rev. 1.0 (226KB) Rev. 1.0 (384KB)
Dual Band Distortion Rev. 1.0 (260KB) Rev. 1.0 (212KB)
Opti-FET Compressor (v1) Rev. 1.2 (287KB) Rev. 1.2 (414KB)
Growler Rev. 3.0 (246KB) Rev. 3.0 (339KB)
2 Channel Mixer Rev. 1.0 (291KB) Rev. 1.0 (417KB)
Dual Band Optical Compressor-Limiter Rev. 3.1 (291KB) Rev. 3.1 (539KB)
Dual Band SMX Optical Compressor Rev. 3.1 (271KB) Rev. 3.1 (366KB)
Dual Band Optical Compressor (v1) Rev. 1.0 (197KB) Rev. 1.0 (284KB)
  

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